SONYA7II + FE 55mm F/1.8 Zeiss - Sinar Photo is Digital Camera & Accessories Centre Shop in Denpasar Bali Indonesia Untuk pembelian dengan Cicilan Bunga 0% klik link di bawah ini: Overview. SONY A7R Body Only. Rp 25,262,000. detil. SONY A7III Body Only. Rp 29,399,000 (-17%) Rp 24,399,000. beli detil. SONY A7RII Body Only Black. Rp
If you are interested in video, the choice from Sony can be quite overwhelming. Most of its mirrorless interchangeable lens cameras feature high quality 4K video, lots of image control and excellent performance in terms of dynamic range and high ISOs. The most video-centric camera in the A7 range is without a doubt the A7s II. Despite being more than two years old, it is still the weapon of choice of professional productions, especially those that wish to take advantage of its impressive low-light capabilities. So how does the camera stand up against the latest arrival in the full-frame E-mount range, the A7 III? Here is a preview to give you a better idea!A7 III complete comparisonsA7 III vs A7R III â A7 III vs Fuji X-T3A7 III vs Canon EOS R â A7 III vs Nikon Z6A7 III comparison previewsA7 II vs A7 III â A7 III vs A9 â A7 III vs a6500 â A7 III vs A7r IIWhat they have in common35mm format sensorE-mountdust and moisture resistanceapproximately the same dimensions and weight A7 III is 23g heavierviewfinder OLED 2,360k dots, magnification, 23mm eyepointmic input and headphone outputWiFi, NFCEthics statement The information supplied in this article is based on the official specifications found on the official website and our separate experience with the A7S II and A7 III. We were not asked to write anything about these cameras, nor were we provided with any sort of compensation. Within the article, there are affiliate links. If you decided to buy something after clicking the link, we will receive a small commission. To know more about our ethics, you can visit our full disclosure page. Thank you!1. Sensor resolution and sensitivityBefore we delve into this particular topic, it is important to mention that the sensors found inside these two cameras have been engineered for different A7S II features a full-frame sensor with This resolution may sound low by todayâs standards but it brings one important advantage because the pixels are larger, they allow the camera to have a wider sensitivity range that starts from 100 and goes up to 102400, or 409600 with the extended values. This is valid for stills and video, the latter being the main target of this had the chance to test the camera a few years ago and the quality it delivers up to 25600 ISO is certainly impressive. Below you can watch a video we made at a Halloween A7 III has a newly developed 24MP Back Illuminated sensor. It offers a good balance in terms of resolution in that it has enough megapixels for stills without being too excessive for video. Sony claims this new sensor has 15 stops of dynamic range, which is better than the of the A7s II as measured by DXO. In our test with the camera we find it to be really good when using the picture profiles or the S-Log2/S-log3 gamma ISO sensitivity of the new camera is not as good as the A7S on paper but is still very promising it has a 100-51200 range with extended options up to 204800 ISO 102400 for video. We find it to be really good up to 12800 ISO, and 25600 still looks decent, which puts it close to the A7S II 4K video and HDRBoth cameras can record in 4K up to 30fps using the XAVC S codec, which works at both use the entire width of the sensor to perform full pixel readout without pixel binning, meaning that all the pixel are used to create the video files. Here the A7 III could have a small advantage in terms of sharpness because it uses more pixels 6K of resolution that is then downscaled to 4K. However when recording at 30p, it performs a small crop on the sensor unlike the A7S a 4K video sample from Sony on YouTubeYouâll find picture profiles including S-Log2 and S-Log3 on both cameras, but the A7 III has an additional Hybrid Log Gamma curve, which is compatible with HDR Full HD at 120fpsBoth cameras can record at a maximum of 100fps PAL or 120fps NTSC in 1080p, giving you pleasant slow motion footage. However the A7s II crops the sensor by a heavy so the field of view of the lens will change the A7 III, you also have the option of conforming slow motion in camera with the Q&S mode, which allows you to undercrank down to AutofocusAnother big difference between the two cameras concerns with the autofocus AF of the A7 III is based on the flagship A9 and inherits the same phase detection points 693 and an optimised algorithm. It also has 425 contrast detection points, -3Ev sensitivity and a few extra settings such as AF Track Sensor that controls the reactivity of the AF in continuous mode. Phase detection makes the camera more accurate with fast moving subjects. Our experience with the A9 was excellent in fact, we consider it the best mirrorless when it comes to AF and we found the A7 III performance to be very III 693 phase and 425 contrast detection pointsThe A7S II only works with contrast detection and features 169 points 25 plus the nine central that are divided into 16 segments. The minimum sensitivity is one stop darker at -4Ev. In our tests, we found the camera slower than those that use Sonyâs hybrid AF â even in low light â despite the better II 169 contrast detection points5. Continuous shooting speedThe A7 III can shoot up to 10fps with continuous AF. Up to 8fps, it shows you live view with A7s II is much slower. It can reach a maximum of 5fps with AF locked on the first frame, and a slower with AE/AF Tracking. Clearly the camera is not designed for action In-body stabilisationBoth cameras feature 5-axis sensor stabilisation but the A7 III has a more advanced hardware that increases the compensation to in comparison to the rating of the A7S II CIPA standards.Stabilisation works for stills and video, and the cameras use 5 axes with non-stabilised lenses that can communicate electronically with the camera. With OSS lenses, 3 axes are used on the sensor in addition to optical stabilisation. With adapted lenses that lack electronic contracts, it is possible to use 3 axes on the sensor by manually inputting the focal Touch screen and AF joystickThe LCD of the A7s II has slightly more resolution 1,228k vs 921k dots but the A7 IIIâs screen is touch sensitive and can be used to move the focus point, even when composing with the viewfinder. It works during video recording and can be useful to produce smooth transitions between focus areas, especially when you tweak the AF Track Sensor and AF Drive Sens settings in the you donât fancy using the touch operation, the A7 III gives you another option to move the focus point the handy joystick found on the Design and usability improvementsThe A7 III inherits the same improvements given to the A7R III. In addition to the aforementioned AF joystick, you also get a redesigned wheel and buttons with an improved tactile mount is attached with six screws rather than menu system is more well-organised on the new camera, and there are more customisation options including the My Menu page where you can save up to 30 the A7 III has two memory card slots, with the first of which is UHS-II compliant. The A7S II has just the one slot UHS-I.9. Battery lifeA significant improvement on the A7 mark III concerns the battery life. The camera uses the NP-FZ100 introduced on the A9 and shared with the A7R III. It more than doubles the endurance in comparison to the NP-FW50 used for the A7s becomes an advantage for stills and video. The new camera can record for approximately 115 minutes or 125 min by using the LCD screen instead of the EVF by CIPA standards. By comparison, the A7s II can manage 55/60 vs NP-FZ100A battery grip is available for either camera and both can be charged via supplies the A7s II with one charger and two batteries, whereas the A7 III comes with a single battery and no PriceWe simply canât publish an article like this without mentioning the price, can we?The new A7 III will be released at the official retail price of $2000 / ÂŁ2000 / âŹ2300. The A7s II, despite being more than two years old, is more expensive. It can be found for around $2500 / ÂŁ2400 / ⏠that these prices can vary according to country, not to mention that youâll often come across special discounts from time to time. It is also worth remembering that you can find the A7s II second-hand more easily because of its a way, the A7 III is an interesting product for video the camera has a faster autofocus that is reliable in movie mode as it is for stills, includes a few extra settings such as Hybrid Log Gamma and doesnât have the annoying crop when recording in 1080p/120fps. Dynamic range and high ISO performance are excellent. The improved battery life is another nice addition, as is the touch screen which can be very useful to produce smooth focus point being said, the A7s II remains a reference when it comes to low light performance, and this is why it is used worldwide for many productions, including the recent BBC Planet Earth and Blue Planet II. However we feel that the gap is not as strong as it used to be with the previous generation of A7 price of the Sony A7 III onAmazon Amazon UK B&H Photo eBayCheck price of the Sony A7s II onAmazon Amazon UK B&H Photo eBayA7 III complete comparisonsA7 III vs A7R III â A7 III vs Fuji X-T3A7 III vs Canon EOS R â A7 III vs Nikon Z6
SonyA7III Setup guide with tips and tricks Introduction The Sony A7 III uses a new 24 megapixel Full-frame BSI sensor as incorporates many of the features and improvements brought in with the a9 and a7r III. Colors corresponding to ITU-709 standard (when combined with ITU-709 gamma) This was easily possible with my previous A7II and
Disclosure As an Amazon Associate I earn from qualifying purchases made through links on this site. I may also earn from links to other online retailers at no extra cost to you. When the Sony a7III was announced back in March 2018 it took many by surprise. Packing a feature set that placed it very close to Sonyâs flagship a9, this is a camera that has most likely given the managers at Canon and Nikon a number of sleepless nights ever since its launch. So how does it compare against its much loved predecessor the a7II ILCE-7M2? Well, I donât think Iâm exaggerating here but it blows it away! Iâve also heard it being called a baby a9 which is very high praise indeed but as good as it is, it isnât a replacement for the a9 with its stacked sensor. In this comparison article Iâm going to take a closer look at the 12 key differences between the Sony a7II and the new a7III. At the launch event Sony called the a7 III their âbasicâ full frame model, but itâs definitely anything but basic. Related comparison articles a7 III vs a7R III a7 III vs a9 1. Image Sensor and Processor The a7 III gets a new version of the Exmor R CMOS sensor, which uses a back-illuminated and gapless on-chip lens design similar to that found in the a7R III. The sensor is combined with the latest BIONZ X image processing engine and front-end LSI, allowing the a7 III to achieve a readout speed that is two times faster and data processing capability that is times higher than that found in the a7 II. The a7 III like the a7 II does still include an optical low-pass filter anti-aliasing filter. The 5-axis image stabilization has also been improved, but just a little. It now achieves a shutter speed advantage compared with steps in the a7 II. Start-up is also approximately 40% faster than with the a7 II when the camera is switched on. 2. Dynamic Range and ISO Performance The new sensor and image processor also help to give the Sony a7 III up to a improvement in dynamic range over the a7 II. Standard ISO range has been extended to ISO 100-51200 expandable to ISO 50-2048006 for stills, helping to make it a lot more capable in low light situations. This compares with ISO 50â25600 in the a7 II. 3. The Camera Body The a7 III inherits a very similar body but not identical to the one found on the a7R III and flagship a9. So youâll be pleased to know that the a7 III includes the same AF joystick that makes moving the focus point around easier than ever before. Thereâs also now a dedicated AF-On button that can be used for back button focus or customized to your liking, as well as a Protect/Rate button. A big plus for many photographers will be the dual SD card slots. The movie record button has also been relocated to near the viewfinder. The a7 III weighs in at approx. 1 lb. oz / 650g, making it around 51g heavier than its predecessor. The width and height are the same, but it does go from to in depth to accommodate the larger Z series battery. Like the a9 and a7R III, the new body is dust and moisture resistant, so it should withstand a rain shower, but itâs most definitely not waterproof. The new body along with revised menus should help to make the a7 III much easier to configure and use. 4. Autofocus System Sony says the AF system is derived from the one in the a9 and performs twice as fast as the one found in the a7 II. The a7 III features 693 phase-detection AF points that cover approximately 93% of image area same as in the a9, plus 425 densely positioned contrast-detection AF points to improve focus. The a9 only features 25 contrast detection points, so the a7 III outshines its larger and more expensive brother here! This is definitely a huge step forward from the 25 contrast-detect and 117 phase-detect points found in the a7 II. But donât let these figures fool you into thinking that the autofocus system is better than that in the a9, itâs just not, but more on this in another article coming soon! With the a7 II, when the aperture is greater than F8 in continuous shooting mode, the focus is locked to the setting in the first shot. With the a7 III however, you can shoot up to and including F11 before the focus is locked to the settings in the first shot. This really gives the a7 III the edge when shooting at higher apertures in continuous mode. Eye AF only worked in single shot focus mode on the a7 II, but on the a7 III it now also works with continuous shooting, as demonstrated in this video by DPReview 5. Shutter, Continuous Shooting, & Buffer The Sony a7 III now gets an electronic/silent shutter, which is brilliant for shooting wildlife in silence, shooting weddings when you need to be as quiet as a mouse during the ceremony, or any other event where shutter noise is frowned upon. Continuous shooting jumps from 5fps in the a7 Mark II to a massive 10fps for both mechanical and electronic shutters in the a7 Mark III. But if you want to use live-view mode then you are limited to 8 fps. The A7 III supports live view with blackouts but only at 8fps. Like the a7R III you can also shoot 14-bit RAW files at 10fps and in silent mode, but only in uncompressed RAW, if you change to compressed RAW then this drops to 12-bit. It also drops to 12-bit if you have long exposure noise reduction turned on. The buffer supports up to approximately 177 JPEG standard images, 89 compressed RAW images, or 40 uncompressed RAW images in one continuous burst. This compares with 52 JPEG, or 28 compressed RAW images when shooting continuous on the a7 II. Anti-flicker technology has also been added to the a7 III that automatically detects flicker from fluorescent and other artificial lighting and shutter action is timed to minimize the flickerâs effect on still images. With the a7 III you can also access the menu, change settings, and view images whilst data is being written. 6. Video Specifications The a7 III now supports 24p/25p 4K video recording with zero sensor crop, which is achieved by capturing 6K then down sampling to 4k. At 30p recording is captured at roughly 5k, so there is a slight crop of crop. The camera offers both S-Log2 and S-Log3 gamma curves for shooting wide dynamic range scenes or Hybrid Log Gamma for playing back directly on high dynamic range HDR displays without the need for post-processing. Both internal video capture and HDMI output remain limited to 8-bit, which can limit the degree of processing flexibility for Log footage. Internal recording is up to 100 Mbps 8-bit 420, while HDMI out is 8-bit 422, meaning twice the color resolution. You also get a feature found on the a7R III and a9 called Slow and Quick Motion S&Q. This allows you to select between 1fps and 120fps for slow or fast motion clips. Hereâs a video from Sony to demonstrate its Full frame 4K HDR HLG capabilities 7. View Finder / LCD Screen The a7 III uses the same million dot OLED viewfinder as its predecessor, resulting in a 1024 x 768 image, rather than the higher-resolution versions found in the a7R III and a9. However, updated optics mean the panel now provides a larger view with magnification, up from on the a7 II. The LCD screen is now with 922k dots, compared with and 922k dots on the a7 II, not a big improvement, but the a7 III does now gain the same touch screen as found in the a7R III and a9, allowing you to focus instantly on a point that you touch on the screen and easily move around image previews, you can also double tap to magnify when focusing manually. The LCD tilts up by as much as 107°, and down by as much as 41°, but Iâm afraid it doesnât flip out forwards. 8. Larger Battery One of the most hoped for improvements is the larger NP-FZ100 battery which replaces the NP-FW50. The NP-FW50 was rated at a capacity of 1020mAh, whilst the new NP-FZ100 battery is rated at 2280mAh. This provides over double the capacity of the old battery. Official Sony figures are 710 shots with LCD screen vs 390 shots of the a7 II. The new NP-FZ100 is exactly the same battery that both the Sony a9 and the a7R III use, and it really does make a BIG difference. I can shoot all day with my a7R III and a9, and still have a little juice left over. That said, Iâll still carry a spare battery just to be safe! You might be tempted to order a cheaper third party battery for the a7III, but please be aware that with the latest a7III firmware if you try to use a non-genuine Sony battery you will get a warning message that says âthe operation and safety of this battery cannot be guaranteedâ. You can ignore the warning by pressing OK and the batteries will still work, however the percentage remaining indicator next to the battery icon disappears so you wonât know how much battery you have left. This appears to be the case for all popular NP-FZ100 third-party batteries including Wasabi, Patona, Newell, and Baxxtar. You can order a genuine Sony NP-FZ100 battery through Amazon. 9. Media Card Slots Worrying about a card failing during an important shoot such as a wedding is now thankfully a thing of the past, thatâs because the a7 III now includes dual SD media card slots. However, just like with the a9 and a7R III, only one of these slots is actually UHS-II compliant. The addition of dual-slots gives you multiple recording options you can either write to a single card, write to both cards simultaneously, write jpegs to one card and RAW files to the other, or video to one and stills to the other. If you do purchase the a7III, then you might find my guide on how to setup dual sd card recording on the Sony a7III helpful. 10. Physical and Wireless Connections The addition of USB Type-C and Multi/Micro USB ports allows the connection of external batteries to power the camera for extended shooting, and accessories such as a remote control unit can be used via Multi/Micro USB port while power is still supplied via the USB Type-C port. The USB Type-C also allows for high-speed PC Remote transfer of large RAW data files, so you can quickly review images on a PC with Sonyâs Imaging Edge software and continue shooting without delay. Wireless LAN is built in, and you also get NFC and Bluetooth. When paired with the PlayMemories Mobile App you will be able to acquire location data, which can then be recorded on still images. There are also headphone and microphone connectors, and micro a HDMI output. 11. Custom Menu The a7 III now gets the same improved menu as youâll find on the a7R III. This allows you to register up to 30 frequently used items on the new âMy Menuâ for instant recall, allowing you to create and customise an optimal menu for your own convenience. The a7 III has primary menus reorganized for easier searching, with group names and page numbers at the top of the displays. 12. Price The Sony a7II body-only currently costs around $1,398 / ÂŁ1,199 while the new a7III costs $1,999 / ÂŁ1,999 for the body-only, making it a good $600 / ÂŁ800 more expensive. Add the kit lens SEL2870 and the price goes up to $2199 / ÂŁ2200. Please bear in mind that these prices may drop if there are deals running at the time. You can check the latest prices using the links below. Conclusion The Sony a7 III is a camera that offers significant improvements over the a7 II. Many of the improvements that people have been asking for are now here and more! Iâm fortunate to own the a7 III, a7R III and a9, and I really am blown away by just how close this camera comes to its much more expensive siblings. Sure, it doesnât offer the high resolution capabilities of the a7R II or III, but not everyone wants or needs Even for landscapes megapixels is plenty for most people. If you shoots sports professionally then the a9 with its anti-distortion shutter, 20fps and much larger buffer is probably still going to be your first choice if you have the money to burn, but the a7 III is still very capable of freezing any action you put in front of it. If you are considering taking your first steps into the world of full frame photography, then the a7 III is a camera that you will seriously want to consider. And if you already own the a7 II you probably already know whether you will be making the upgrade or not. But what if the a7 III is just out of your budget? Although itâs a brilliant camera, itâs not worth robbing a bank for or getting into debt. Thankfully the Sony a7II is still a brilliant camera, you only need to read the reviews on Amazon to see this. For landscape photography, portrait, weddings, street, architecture itâs still more camera then you will most likely ever need. However, if you are wanting to shoot sports or other forms of fast action then the a7 II would not be my first recommendation at this price point, instead I would be looking at the Sony a6500. If you do decide to go for the a7 III then you might find my Sony a7III Accessories Guide or my Sony a7III Lenses Guide helpful. Iâve also published a small collection of Sony a7III Sample Images that I have taken with a few different lenses. Finally, if you have a few seconds to spare then Iâd really love to hear which camera you decided to go for in the comments below.
MengapaSony Alpha 7R II lebih baik daripada Sony Alpha a7 III? Megapiksel kamera utama 1.75x lebih besar? 42.4MP vs 24.2MP Resolusi (layar) 306.4k dots lebih tinggi? 1228k dots vs 921.6k dots Bisa membuat panorama dalam kamera? Scroll ke bawah untuk detilnya Mengapa Sony Alpha a7 III lebih baik daripada Sony Alpha 7R II?
ï»żQual cĂąmera Full-frame Mirrorless da Sony vocĂȘ deve escolher? As CĂąmeras Full-frame da sĂ©rie A7 da Sony continuam a ficar cada vez melhores, mas seus dois Ășltimos lançamentos de cĂąmeras deram aos compradores um duro dilema. Descubra qual a mais completa nesta comparação. Sony Alpha A7RIII vs A7III A Sony Alpha A7RIII Mirrorles combina um sensor de alta resolução com uma impressionante velocidade de disparo contĂnuo de 10 fps e poderosos recursos de vĂdeo 4K. Mas a Sony AlphaA7III combina com praticamente todos os aspectos, exceto resolução, possui um sistema de autofoco melhor e capacidade de buffer no modo de disparo contĂnuo. Sony Alpha A7RIII vs A7MIII Resolução Essa Ă© a diferença mais Ăłbvia entre a Sony A7RIII vs usam designs de sensores retroiluminados de ponta combinados com o processador da Sony BIONZ X, mas a Sony A7R III tem 42,4 milhĂ”es de pixels, enquanto a Sony A7 III Mirrorless tem 24,2 milhĂ”es de pixels. Parece uma simples escolha â mais megapixels Ă© melhor, certo? E assim Ă©, mas tenha em mente que 24,2 milhĂ”es de pixels ainda sĂŁo bons atĂ© mesmo para os padrĂ”es de hoje e produzirĂŁo uma impressĂŁo de 20 polegadas de largura na configuração de impressĂŁo tĂpica de 300dpi. A resolução da A7R III da Sony lhe daria uma impressĂŁo de 26,5 polegadas de largura nas mesmas configuraçÔes, mas a partir de arquivos que preencherĂŁo seu armazenamento quase duas vezes mais rĂĄpido. Sony Alpha A7RIII vs A7III ISO HĂĄ uma vantagem em ter um sensor de resolução mais baixa. A Mirrorless Sony A7R III oferece uma faixa ISO de 100 a 32000 no modo padrĂŁo e 50 a 102200 no modo expandido. Isso Ă© muito bom, mas o da Sony A7 III Ă© mais alto, com uma faixa de ISO 100-51200 no modo padrĂŁo e ISO 50-204000 no modo expandido. HĂĄ menos photosites pixels no sensor de 24,2 megapixels da Sony Alpha A7MIII, mas isso significa que cada um Ă© maior e reĂșne mais luz. Para a fotografia com pouca luz, entĂŁo, a Sony A7 III Mirrorless estĂĄ Ă frente. Sony Alpha A7RIII vs A7III Disparo ContĂnuo Ambas as cĂąmeras podem capturar imagens a 10fps com autofoco contĂnuo e exposição automĂĄtica, ambas oferecem o modo âlive viewâ de 8fps com menos apagamento do visor e atualização mais rĂĄpida, e ambos podem gravar a 10fps no modo silencioso. No entanto, a resolução da Sony A7M III oferece uma vantagem inesperada aqui â uma maior capacidade de buffer. Os arquivos de imagens tĂȘm menos dados, o que significa que eles podem ser processados e salvos mais rapidamente e o buffer demora mais para ser preenchido. A Full-frame Sony A7R III pode capturar 76 JPEGs em um Ășnico burst, 76 arquivos raw compactados ou 28 arquivos raw descompactados, o que significa que, embora possa capturar imagens muito rapidamente, nĂŁo pode continuar assim por muito tempo. A Sony A7 III Mirrorless funciona melhor, capturando atĂ© 177 JPEGs em um burst, 89 arquivos raw compactados ou 40 raws nĂŁo comprimidos, isso dĂĄ uma vantagem significativa. Sony Alpha A7R III vs A7 III Autofoco Ambas as cĂąmeras possuem sofisticados sistemas hĂbridos de detecção de fase e contraste AF no chip, mas CĂąmera Digital Sony A7 MIII Ă© mais avançada. Ela herdou isso da Sony Alpha A9, que oferece 693 pontos de detecção de fase cobrindo 93% da ĂĄrea da imagem, alĂ©m de 425 pontos de contraste AF em uma ĂĄrea menor para precisĂŁo. A Sony A7R III Mirrorless possui o mesmo nĂșmero de pontos AF de contraste, mas apenas 399 pontos de detecção de fase apontam mais de 68% da ĂĄrea da imagem. Sony Alpha A7R III vs A7 III Estabilização de Imagem As CĂąmeras Full-frame Mirrorless Sony A7R III e a Sony A7MIII usam a estabilização interna de 5 eixos SteadyShot Inside da Sony, mas onde a Sony reivindica uma vantagem de 5 etapas com a A7 III Mirrorless da Sony, ela cita 5,5 passos para a Sony A7R III, devido a algoritmos melhorados diferença no hardware. Parece improvĂĄvel que vocĂȘ perceba qualquer diferença nos cliques diĂĄrios. De fato, a maior resolução da A7R III da Sony provavelmente tornarĂĄ qualquer movimento de cĂąmera mais Ăłbvio. Sony Alpha A7R III vs A7 III Mudança de Pixel Multi Shoot Este recurso Ă© exclusivo da Sony A7R III Mirrorless e nĂŁo aparece na Sony A7MIII. Neste modo, a cĂąmera captura quatro imagens em sucessĂŁo, deslocando o sensor em um pixel de cada vez. Desta forma, ele pode gravar dados em cores para cada pixel em vez de ter que interpolar as informaçÔes de cor dos pixels vizinhos, que Ă© como os sensores geralmente funcionam. O resultado Ă© um pouco melhorado em detalhes ultrafinos e artefatos de cores reduzidos, como moirĂ© em texturas e padrĂ”es finos, e Ă© um sistema usado para modos especiais de alta resolução por outros fabricantes de cĂąmeras como a Pentax, por exemplo. No entanto, a cĂąmera digital e a imagem devem estar parados, e as imagens precisam ser mescladas no software de processamento de imagem da Sony. Sony Alpha A7R III vs A7 III EVF e Tela LCD A Sony A7III e a A7RIII MIrrorless possuem visores eletrĂŽnicos de oferecendo a mesma ampliação de visor de mas a CĂąmera Sony A7R III tem uma resolução maior de milhĂ”es de pontos contra milhĂ”es de pontos na Sony A7 III. VocĂȘ notarĂĄ a diferença? Isoladamente, provavelmente nĂŁo, mas quando vocĂȘ os compara lado a lado, a Sony A7R III Ă© um pouco mais suave e mais nĂtida. Ambas as cĂąmeras possuem telas sensĂveis ao toque inclinĂĄveis de 3 polegadas, mas a tela da Mirrorless Sony A7RIII tem uma resolução mais alta de pontos contra da Sony A7III. Imagens e menus devem parecer um pouquinho mais nĂtidos, mas na prĂĄtica atĂ© mesmo a resolução mais baixa da tela da CĂąmera Digital A7 III da Sony atinge o ponto em que os pontos individuais nĂŁo sĂŁo realmente visĂveis a olho nu, enquanto a maior resolução LCD melhora a experiĂȘncia do usuĂĄrio, dificilmente suficiente para superar a Sony A7R III Mirrorless. Sony Alpha A7R III vs A7 III Recursos de vĂdeo NĂŁo hĂĄ diferença tĂ©cnica real nas especificaçÔes de vĂdeo entre essas duas cĂąmeras. Ambas podem capturar vĂdeo 4K usando sobre amostragem sem binning de pixel para manter a alta qualidade de imagem os quadros sĂŁo capturados em uma resolução mais alta e depois reduzidos para 4K. Elas compartilham a mesma taxa de quadros mĂĄxima de 30p para 4K usando o formato XAVC S e uma taxa de bits de atĂ© 100Mbps. Elas tambĂ©m oferecem opçÔes de modo Super 35mm, HLG e gama S-Log. A Ășnica diferença Ă© como as duas cĂąmeras renderizam suas filmagens. A resolução mais baixa da Sony A7 Mark III significa pixels maiores e, portanto, potencialmente menos ruĂdo em configuraçÔes ISO mais altas. Sony Alpha A7R III vs A7 III Exterior As CĂąmeras A7III e a A7RIII da Sony sĂŁo praticamente indistinguĂveis, com dimensĂ”es idĂȘnticas de 126,9 x 95,6 x 73,7mm e um peso quase idĂȘntico â a Sony A7 III pesa 657g, enquanto a A7R III Mirrorless Ă© apenas uma fração mais pesada, apenas 675g. Essa diferença de peso pode ser atribuĂda ao painel traseiro da Sony A7R III forjado a partir de magnĂ©sio, enquanto a Full-frame Sony A7 III usa plĂĄstico. A Sony A7R III Mirrorless tambĂ©m adiciona um soquete de sincronização flash. Isso pode ser Ăștil para fotĂłgrafos de estĂșdio que ainda usam conexĂ”es de cabo direto para unidades de flash, apesar de muitos fotĂłgrafos terem feito a troca para sistemas flash sem fio de qualquer maneira. Sony Alpha A7RIII vs A7 III Vida Ăștil da Bateria Sony A duração da bateria nunca foi um ponto forte na sĂ©rie Sony A7 â atĂ© agora. Ambas as cĂąmeras usam o novo tipo de bateria FZ100 da Sony para uma duração de bateria muito melhorada. No entanto, a Sony A7MIII oferece um pouco mais de tempo, capturando 610 fotos com o visor e 710 usando o LCD. JĂĄ a Sony A7R III Mirrorless nĂŁo consegue igualar isso, com uma duração de bateria de 530 fotos visor e 650 fotos LCD. Sony Alpha A7RIII vs A7III Veredito Para fotografias comerciais de alta qualidade, a CĂąmera Digital Sony A7R III Mirrorless tem uma clara vantagem, e mesmo com o preço mais alto, sua combinação de resolução, velocidade e recursos de vĂdeo representa um valor extremamente bom em comparação com cĂąmeras profissionais de outras marcas. No entanto, para os fotĂłgrafos esportivos e de pouca luz, a Full-frame Sony A7 III poderia ser a melhor compra. Ele oferece as mesmas velocidades de disparo contĂnuo que a Sony A7R Mark III, mas uma capacidade de buffer ligeiramente melhor para rajadas mais longas e um sistema de foco automĂĄtico mais sofisticado que cobre uma ĂĄrea maior do quadro. A resolução mais baixa tambĂ©m significa pixels maiores, o que deve significar menos ruĂdo em configuraçÔes ISO mais altas. VocĂȘ pode adquirir a CĂąmera Sony A7RIII ou a Sony A7III Mirrorless visitando nosso site eMania Foto e Video Revendedor Oficial Sony. LĂĄ vocĂȘ tambĂ©m encontra uma grande variedade de produtos para foto, vĂdeo e cinema, tais como estabilizadores, tripĂ©s, lentes e muito mais.
FiturFitur Kunci Sony Alpha 6300. 24MP Exmor CMOS sensor. 425 phase detection points to give '4D Focus' Hybrid AF. 4K (UHD) video - 25/24p from full width, 30p from smaller crop. 2.36M-dot OLED finder with 120 fps mode. Dust and moisture resistant magnesium-alloy body. Built-in Wi-Fi with NFC connection option.
125 caracterĂsticas comparadasSony A7CSony Alpha a7 IIIPor que Sony A7C Ă© melhor que Sony Alpha a7 III?Bateria com duração 130shots maior?740shotsvs610shots141g mais leve?509gvs650gVersĂŁo do Wi-Fi?Wi-Fi 5 Wi-Fi 4 4 menor? Bluetooth?Tem uma sapata avançada? mais curto? mais fino? que Sony Alpha a7 III Ă© melhor que Sony A7C? menos ruĂdo em ISO elevado?3722 ISOvs3407 ISOVelocidade mĂĄxima do obturador 50% maior?1/8000svs1/4000sTem ranhuras duplas para cartĂ”es?Permite fazer fotografia panorĂąmica?Canon EOS 5D Mark IV + Canon EF 24-105mm f/4L IS USMCanon EOS RP + Canon RF 24-105mm f/ IS STMNikon D7500 + Nikon AF-S DX Nikkor 18-140mm f/ ED VRSony Alpha a6500 + Sony Vario-Tessar E 16-70mm f/4 ZA OSS T*Sony A6400 + Sony E 18-135mm f/ OSSNikon D600 + AF-S NIKKOR 24-85mm VRCanon EOS Rebel SL2 + Canon EF-S 18-55mm f/ IS STMAvaliaçÔes de usuĂĄriosClassificação geralSony A7C1 AvaliaçÔes de usuĂĄriosSony AvaliaçÔes de usuĂĄriosSony Alpha a7 III5 AvaliaçÔes de usuĂĄriosSony Alpha a7 AvaliaçÔes de usuĂĄriosRecursoDesignTipo Desconhecido. Ajude-nos sugerindo um valor. Sony A7CO tipo de tipo de visor que a cĂąmera dispositivo tem proteção adicional para evitar falhas causadas por poeira, pingos de chuva e respingos de maior resolução de tela permite proporciona imagens mais nĂtidas, aprimorando o modo como vocĂȘ enxerga suas fotos na EVF Desconhecido. Ajude-nos sugerindo um valor. Sony A7C Desconhecido. Ajude-nos sugerindo um valor. Sony Alpha a7 IIIUm visor eletrĂŽnico EVF, do inglĂȘs "electronic viewfinder" de maior resolução fornece imagem mais nĂtida, produzindo visĂŁo de qualidade comparĂĄvel Ă de um visor motor de foco move a lente para promover foco automĂĄtico. Em cĂąmeras profissionais, a presença de um motor de foco no corpo da cĂąmera permite que se use vĂĄrios tipos de lentes, incluindo lentes que nĂŁo tenham seu prĂłprio motor de foco. Para cĂąmeras compactas, o motor de foco Ă© geralmente giratĂłrias podem ser Ășteis para enquadramentos uma cobertura de imagem de 100% vocĂȘ pode compor a imagem corretamente quando tira a foto. Com uma cobertura menor vocĂȘ poderĂĄ ter de cortar suas fotos depois para que fiquem maior o tamanho da tela, melhor a experiĂȘncia do dos aspectos mais importantes de uma cĂąmera Ă© o tamanho de seu sensor. Um sensor maior irĂĄ capturar mais luz, o que resulta em melhor desempenho com pouca luz, faixa dinĂąmica e qualidade geral de mais pontos de foco, maior Ă© a flexibilidade em selecionar em qual parte do cenĂĄrio focar. TambĂ©m dĂĄ ao sensor de imagem uma melhor probabilidade ao identificar a ĂĄrea correta do cenĂĄrio para focar nos modos nĂșmero de megapĂxeis determina a resolução das imagens capturadas com a cĂąmera principal. Um nĂșmero maior indica que a cĂąmera Ă© capaz de capturar mais detalhes. No entanto, a quantidade de megapĂxeis nĂŁo Ă© o Ășnico fator que determina a qualidade de uma maior sensibilidade Ă luz nĂvel ISO, o sensor absorve mais luminosidade. O recurso pode ser utilizado para capturar imagens de objetos em movimento, usando o obturador em maior velocidade, ou para capturar imagens em ambientes de baixa luminosidade sem o uso de ISO expandido permite que vocĂȘ vĂĄ alĂ©m do ISO base. Ele faz isso aprimorando digitalmente a saĂda da imagem. A imagem resultante terĂĄ menos qualidade do que quando permanecer dentro da faixa ISO base, mas pode ser Ăștil em certas um estabilizador de imagem, o sensor de imagem e nĂŁo a lente se move para compensar qualquer vibração da cĂąmera. Isso significa que a imagem serĂĄ estabilizada independentemente da lente disparo contĂnuo rĂĄpido Ă© Ăștil para capturar imagens de o rastreamento AF, uma vez escolhido o objeto e pressionado o obturador atĂ© a metade, se o objeto se mover, o foco automĂĄtico irĂĄ segui-lo. Sem mais disparos fora de resolução mĂĄxima disponĂvel para vĂdeos capturados com a cĂąmera principal. Embora possa ser possĂvel optar por outras velocidades de gravação, essas opçÔes costumam gerar vĂdeos em menor sistema de focagem automĂĄtica por detecção de fase Ă© mais veloz que um sistema de focagem automĂĄtica por detecção de contraste. Mesmo ao gravar cenas com muitos movimentos rĂĄpidos, os vĂdeos sĂŁo nĂtidos e gravação os vĂdeos mantĂȘm-se nĂtidos e entrada para microfone permite a conexĂŁo de microfones externos avançados ou esse conector padrĂŁo, vocĂȘ pode conectar a maioria dos fones de ouvido ao seu estĂ©reo permitem a gravação de arquivos de ĂĄudio ou vĂdeo em sistema estĂ©reo sem o uso de microfone função timelapse mostra uma longa passagem de tempo accelarada. Uma sĂ©rie de fotografias tiradas na mesma posição durante um longo perĂodo sĂŁo ligadas para criar um pequeno vĂdeo. Ă uma Ăłptima maneira de capturar coisas como o pĂŽr-do-sol ou as nuvens a moverem-se no maior o bitrate de gravação de video melhor a qualidade do video, com mais e melhor detalhe e menos artefatos de mais microfones um dispositivo tiver, melhor a filtragem de ruĂdos de fundo e melhor a qualidade de gravação de som em CIPA Ă© uma medida padrĂŁo e independente que determina quantas fotos a cĂąmera pode tirar antes que a bateria bateria Ă© removĂvel e, se quebrar, pode ser trocada pelo usuĂĄrioA bateria pode ser recarregada e utilizada indicador lhe mostra quando o dispositivo estĂĄ com pouca capacidade da bateria representa a quantidade de energia elĂ©trica que uma bateria pode armazenar. Maior capacidade pode indicar maior vida Ăștil da dispositivo pode ser conectado a redes Ă© uma tecnologia sem fio que permite transferir dados com facilidade entre diferentes dispositivos, como smartphones, tablets e duas ranhuras para cartĂ”es de memĂłria, permitindo que vocĂȘ guarde mais fotos sem precisar trocar cartĂ”es. Isto Ă© particularmente Ăștil em sessĂ”es de fotografia mais longas em que vocĂȘ precisa de mais cĂąmera pode tirar uma sĂ©rie de fotografias, deslocando ligeiramente o sensor com cada uma delas. Estas podem entĂŁo ser combinadas para criar uma imagem de resolução extremamente alta. Ă particularmente Ăștil para coisas como fotografar obras de arquivo de imagem RAW contĂ©m dados minimamente processados a partir do sensor de imagem. Os ficheiros RAW sĂŁo assim chamados porque ainda nĂŁo foram processados e, portanto, ainda nĂŁo estĂŁo prontos para ser impressos ou editados com um editor de imagens capaz de tirar fotos em formato lossless compressed raw. Isso tem todas as vantagens de fotografar em raw, ocupando muito menos espaço de armazenamento. O tamanho de arquivo menor tambĂ©m permite velocidades de leitura/gravação mais versĂ”es de Wi-Fi suportadas pelo tecnologia permite que o usuĂĄrio utilize o prĂłprio smartphone como controle remoto para o com entrada HDMI ou mini HDMI podem transferir vĂdeo e ĂĄudio em alta resolução para um D850 + Nikon AF-S Nikkor 24-120mm f/4G ED VRSony Alpha a7 III + Sony FE 24-105mm f/4 G OSSSony Alpha a9 + Sony FE 24-70mm GMCanon EOS 5D Mark IV + Canon EF 24-105mm f/4L IS USMSony Alpha a7 III + Sony FE 28-70mm f/3__5-5__6 OSSSony Alpha 7R III + Sony FE 24-70mm f/4 ZA OSS Vario-Tessar T*Exibir tudo
ADAPTERAUTOFOCUS METABONES SONY A7II SONY A7III SONY A7RII SONY A7SII di Tokopedia â Promo Pengguna Baru â Cicilan 0% â Kurir Instan.
dgQ73G. 100 88 257 10 314 373 25 419 225
perbedaan sony a7ii dan a7iii